Last night was... odd. It was Callback night for the Fringe/Sears. Except that, of my own decision, I didn't audition for the Sears play (Twelve Angry Men,) and so I just think of it as "Fringe" night. And, as April Wine once crooned, "Oooowhattanight!" Well, I'm not thinking
that enthusiastically, but isn't it nice to make a reference to a forgotten Canadian rock group every now and again? I think so.
Of the 6 Fringe plays, I was only asked to read for 3, not bad considering one has no male roles and one has only a few. After a somewhat tame read for Emma's play (I could tell that she probably didn't have me in mind, since she didn't see my initial audition,) I read for Barrett's "Breakfast Club" adaptation (written directly for stage by the man himself, John Hughes,) the "Vernon" monologue - you know, the one where he tells Bender he's gonna knock his dick in the dirt? I figured I was basically being given the part, because, well... although about 3 "Andrews" read, a couple of "Claires" read, and a number of "Benders," I was the only person who even read for the Principal.
The other one was Ana's (as-yet-strangely-unfinished) play "Murder in the Wings," where I read as a hyperactive British Drama teacher under an extreme amount of stress, yelling into poor Doug's ear. It was overacting at its finest, as I let my voice crack into its highest, eardrum-piercing range, while still maintaining a frim hold on my Graham Chapman-sloshed-on-booze accent.
Well, I got both parts. Congrats to me. And it turned out as well as could be expected, I suppose. I mean, they're good roles... although... a teacher in one, and a principal in the other? I don't get it. Barrett didn't even have anyone cast as Brian Johnson as of this morning... and don't I look like an Anthony Michael Hall? I dunno, man. At least I get to use some nice, vulgar language, as the Principal that Paul Gleason made famous.
I'm just saying that I don't feel like I'm the "teacher or principal" type. At 5'7 1/2", I'm not quite a grown man; I'm shorter than most of the actors (except Phil,) and my voice isn't that deep. I don't exhude power and authority the way these people normally do. But, hey, whatever.
In Ana's, I play Hugh, who is British (surprise, the name totally threw me off.) I have no problem playing a Brit. I consider myself an honorary Briton (Well, my family's roots are closer to those of the Celts, but never mind that.) Accents can be tough to maintain onstage, though. Just listen to my somewhat inconsistent performance in Earnest and you might get it. Still, it's always nice to be the first person on the cast list.
Breakfast Club has a really great cast, aside from the aforementioned uncast role of Brian. It's mostly Grade 12's and Superseniors, (Myself and Steffi [Claire] as the former, Alyssa [Allison] and Phil the latter.) Plus one gentleman of undetermined (by me) grade. It'll be a nice crew to be spending my time afterschool with.
Ana's is complimented by Myself, Doug, and Becky as the Grade 12's of the crew, with a few Grade 9/10's filling it out. Unfortunately, she didn't go with Gillian Arfin for one role as per my recommendation, but hey... her loss, man.
The funniest story, of pluck and grit, of this callback night was Kyle. Although he acted quite successfully (and under rather unusual circumstances - see June's entries,) in our play last year, he declined to get involved this time around. Well, unfortunately, a quest of romance (or was it perhaps just flirtation, or humour?) brought him to the callback night, and Rosser conscripted him into auditioning. So he read, reluctantly, for 12 Angry Men, and got a part (as Juror #12,) and also, strangely, for Kathryn Haynes' play. We had a good laugh about that. "It's karma," I told him, "It's what you get for having a harem." And he does. And he knows it.
So that was the big news for today.
I wrote a blue longsleeve button-up today. Dunno why. I got up and thought, "I should wear this today." I left the house with it untucked at sleeves rolled down. By the time I got to first period, I decided to tuck it in. In hospitality, (Food school,) I had to roll the sleeves up, so I left it like that all day. It was successful. Sometimes, dressing nice is nice.
Wow, what an awful sentence I just typed.
On that note, Keep on Rockin' Sportsfans
Scott
(Added later that evening) PS: Well, there was actually one thing about callback night that I neglected to mention. This relates to Tuesday's saga of near-depression. After I had cheered myself up, I was speaking with Alyssa on MSN, and I mentioned that I was feeling "better," and she said that she noticed that I was "out of sorts" that day, and felt concern. And, since she was baking cupcakes that night anyway, she offered to set one aside for me as a "Cheer up Scott" cupcake. How nice! I ate it while waiting around during the callbacks... and although it was a vegan baked good, it was still good (hey, just because I don't agree with their lifestyle doesn't mean I can't enjoy their food!) It put good faith in me, and I'm waiting for an opportunity to pay it back... or forward. I'm big on paying it forward. Although I didn't see that movie. Anyway, I just wanted to recognize what a terrifically nice gesture that was.
Keep on Rockin' again
Scott