This is the long-awaited (by nobody) 1000th post. Yes, if every entry was a single page - which, in a lot of cases, is being modest - my blog is a Tolstoy novel. That is, if Tolstoy wrote overlong, repetitive, plotless, rambling nonsense. Of course, I prefer to think of it as a "coming of age" story, and who doesn't come of age with rambling nonsense? And it only took me 4 years to get here. Mazel tov.
Of course, this entry hits most of the same touchstones as the previous 999... nothing special; movies, rock n' roll, friends, girls and Coca-Cola all swirling around in my head.
I've had a few moments over the past few days that have helped alleviate a lot of the anxiety I'd been having about loneliness and boredom. I still have my issues - believe me I got my issues - but I've been in the business of feeling good these past few days. Good enough to not let it be ruined by sitting on the computer on Saturday night. It all started on Thursday.
It had been a mundane, uninteresting day. I can't even flipping remember what I might've done during the course of it. Most likely, I spent the entire day sitting here while Eric watched the Food network. And then we went grocery shopping. The evening passed rapidly too, by watching an episode of Last Comic Standing (that Iliza Shlesinger is a feisty one!) And then it got to be 11 or so...
CB had mentioned he planned on seeing The Dark Knight at Midnight that night the last time we hung out. I mentioned I planned on coming along. When I hung out with Robyn earlier that week, it came up, and she suggested she'd like to come along. Okay, so that's three people. Great.
Well unfortunately, much to my chagrin (but sadly not to my surprise,) I couldn't reach Robyn at the time I'd told her I'd contact her. CB had gone to the trouble of procuring tickets in advance, and now one was going to waste. Well obviously it was returned after a lengthy chat with Guest Services. I was waiting in line at the concessions by this point.
Suddenly I was approached by a familiar, friendly face: Nate, Cary's running buddy. Nate's a cool dude and every so often we run into each other and he extends the courtesy of acknowledgment each and every time, so he came over and we made small talk about what either of us is doing these days (apparently not much, certainly not my side.) We weren't in the same theatre though - I think he was seeing the 12:02 showing, and we were seeing the 12:03.
I had CB hold the place in line while I went to get seats. It wasn't toally necessary I suppose, but I didn't want it to be Spider-Man 3 again, where I spent the entire movie looking vertically up the Joker's nose. I got a good mid-level side-seat, which was as optimal as you were going to get given the crowd. Incidentally, lots of loud people, and lots of Indians. Some overlap but I don't mean to insinuate all Indians are loud or all loud people are Indian.
So the lights go down and the trailers cue up. There looks to be a good deal of interesting comic-related flicks coming up, not the least of which is Watchmen. After seeing stills I thought it was walking the borderline of being cheesy but the trailer was one of the most impressive ones I've seen since... well, the trailer for the Dark Knight. It was so astounding, Nate later messaged me saying how incredible it looked, and this statement he prefaced by saying he had zero familiarity with the source material. The catch is, Hollywood has a terrible track record when it comes to handling Moore's work (from shit like Constantine and League of Extraordinary Gentlemen to more impressive yet still less interesting stuff like From Hell and V for Vendetta.) The thing is, the worst of those
looked like bargain basement shit from the get-go. This looks like something else. Something special.
Another, smaller one, was for Frank Miller's The Spirit. It appears everything he knows about filmmaking he picked up by hanging around the Sin City set (all blue screens and de-sats.) I'm not overly familiar with Will Eisner's original comics, but from the trailer, it appears to be about a noir detective in a mask who bangs a wide variety of exotic, dangerous-looking women. Should be good.
Anyway, the movie. It's hard to put into words exactly how awesome the movie was, so here are some bullet points:
*Thanks to a deft script, Heath Ledger's Joker overcame the hype in the wake of his untimely death to become a truly worthy, memorable, haunting and original take on a classic character. It was like Silence of the Lambs, a little.
*The plot was unconventional for a superhero movie in that it was not only complicated, but predicated on problems not easily solved with a fight scene
*Harvey Dent, a character designed to become a murderous villain, was so well written that I was legitimately shocked at his character's turn at the end.
*Although the script shortchanges Bruce Wayne himself, I may as well say what we all secretly know: Bruce Wayne is boring as fuck and nobody wants to see him. They want to see a man in a black cape fight a lunatic in a purple suit.
*I have no idea what basis they can possibly use for a sequel with Joker out of the equation (Knightfall perhaps?) but I have faith that when they do, they'll figure it out and hit a home run.
*Bottom line, this was the Empire Strikes Back of superhero movies.
The film ended at about 3:00 AM and I crept in, still somewhat abuzz. I slept through a lot of Friday, although this had little to do with going to be close to 4.
Last night I had one objective: get to the Snooker Club. I've gone to a few of Joe's shows and I've missed plenty, but I felt there was no debate in this. It was the release party for his long-awaited EP, which I've been hearing about basically since we met. "Hey I'm Joe and I'm recording an EP, let's be friends." Well not precisely, but it's been bubbling under forever.
Now originally, I was going to catch a ride with Amanda, who was going to finally come see Joe play for once, but sadly she was called away to a family gathering. So I had to find another way there.
Tangent: I just messaged a friend on MSN. In response: "Oh hey I'm a hacker, I kinda was interested in *********@hotmail.com's life, probably shouldn't talk on her behalf." Well that was very courteous. How do you respond to that, eh? Either that's a polite hacker, or a most inventive way of saying "I don't want to talk to you."
I'll have to remember that one. Anyway, transportation.
As is always the case when I find myself in a bind such as this, I called dad. Actually, I e-mailed him and when he called later on an unrelated matter before he'd read, I asked him. He said yeah, and I asked that he pick me up around 7ish.
Well it got to be 7ish and I heard nothing from him. Then it got to be 7:15, 7:30, nothing, nothing. I began to pace annoyedly, as I always do. I don't like being kept waiting. I called his house; nothing. Called his cell; nothing. This repeated a few times and my imagination spiraled out of control with possible explanations as to my dad's lack of presence. The obvious but depressing one was that he had forgotten (but why was his cell off?) The less obvious, more petrifying, and thus more easily fixated-upon possibility was that he was injured or in trouble. I called and called. Now I just wanted to know.
Eventually he did get me. He had turned his cell off while on a business trip earlier this week and forgotten to turn it back on. Fair enough. and where was he? Well when Deb got home she suggested they go to dinner, and, indeed forgetting about me, off they went. Sigh. "I'll come get you as soon as we're done," he insisted. Groan. "Okay then."
I was annoyed and didn't want to be late, but I didn't make a big deal because I knew in the end things would work out. Dad arrived not long after and we got there frankly, in good time before even the first act had gone onstage. But it was pretty close. This was about 8:30 by now.
The first up was a fetching young blonde singer whose name I didn't catch, though Joe made reference to her later. After catching Mansoor for the first time in months, we sat and watched her play. She did a few songs on guitar, and then at least one with her instrumentation having been done in Garage Band, kept on her iPod and plugged into the sound system. It was an impressive feat, she had considerable talent. Her last song was on the keyboard. While she was on the guitar she played a slower, rather moving and much-improved version of Rhianna's Umbrella.
Although Joe was very big on the next guy to perform, Mansoor and I took the opportunity to skip out and catch up, discussing life, the past present and future outside the lounge.
Next up was Victoria, the love on Joe's life. Her performance was indeed quite impressive, a mixture of covers and originals mostly played on the keyboard. She then went over to the acoustic guitar and announced "I think everyone will know this one." She started to play some generic chords and I'm kinda thinking "What random song is this?" And then she started singing "
I see a red door and I want it painted black..." Well that's a good omen right there.
Lastly was our man Joe, who opened with his energetic version of Stevie Wonder's "Isn't She Lovely?" And then proceeded to play each of the tracks on the Window EP, followed by a few covers including a duet with his ladyfriend (they harmonize very well together, another good omen.)
The closing moments of the night were rather emotionally charged as the room was more full than I'd ever seen it. All the regulars were there - JB, Steph and the others from the last few times I'd been there, in addition to Vicki's family and friends and many more besides. And of course at the end of the night, we all bought our CD's.
I said a quick goodbye to Joe as Mansoor gave me a ride home. He is at the beginning of a very exciting time and I cannot wait to see how things unfold for him in the near future.
I've been running a mafia game at CX, which is fun for me since I'd done a few at other forums and they're always a big hit (albeit sometimes stressful to be playing when you find yourself a target.)
I've got some writing and drawing to do. More to come later, as always.
Here's to the next 1000, eh?
Motherfucker.
Keep on rockin'
-Scotto